Hans von Bülow Totally Explained

Everything about Hans Von B Low totally explained

Hans Guido Freiherr von Bülow (January 8, 1830 – February 12, 1894) was a German conductor, virtuoso pianist, and composer of the Romantic era. He was one of the most famous conductors of the 19th century, and his activity was critical for establishing the successes of several major composers of the time, including Richard Wagner.

Biography

Bülow was born in Dresden, and from the age of nine he was a student of Friedrich Wieck (the father of Clara Schumann). However, his parents insisted that he study law instead of music, and sent him to Leipzig.
   At Leipzig he met Franz Liszt, and on hearing some music of Richard Wagner—specifically, the premiere of Lohengrin in 1850—he decided to ignore the dictates of his parents and make himself a career in music instead. He obtained his first conducting job in Zürich, on Wagner's recommendation, in 1850.
   Notoriously tactless, Bülow alienated many musicians with whom he worked. He was dismissed from his Zürich job for this reason, but at the same time he was beginning to win renown for his ability to conduct new and complex works without a score. In 1851 he became a student of Liszt, marrying Liszt's daughter Cosima in 1857. They had two daughters: Daniela, born in 1860 and Blandine, born in 1863.
   During the 1850s and early 1860s he was active as a piano recitalist, conductor, and writer, and became well-known throughout Germany as well as Russia.
   In 1864 he became the Hofkapellmeister in Munich, and it was at this post he achieved his principal renown. He conducted the premieres of two Wagner operas, Tristan und Isolde and Die Meistersinger von Nürnberg, in 1865 and 1868 respectively; both were immensely successful. However, his wife Cosima, who had been carrying on an extramarital affair with Richard Wagner for some time, left him in 1868, taking with her two of their four daughters, Isolde and Eva—the two whom Richard Wagner had fathered—and in 1870 divorced Bülow. In spite of this, Bülow remained a disciple of Wagner, and never seemed to hold a grudge; indeed he mourned the death of Wagner, and continued to conduct his work.
   In addition to championing the music of Wagner, von Bülow was a supporter of the music of both Brahms and Tchaikovsky. He gave the world premiere of the Tchaikovsky Piano Concerto No. 1 in Boston in 1875.
   From 1878 to 1880 he was Hofkapellmeister in Hanover, but was forced to leave after fighting with a tenor singing the "Knight of the Swan" role in Lohengrin (von Bülow had called him the "Knight of the Swine"). In 1880 he moved to Meiningen where he took the equivalent post, and where he built the orchestra into one of the finest in Germany; among his other demands, he insisted that the musicians learn to play all their parts from memory.
   It was during his five years in Meiningen that he met Richard Strauss (though the meeting actually took place in Berlin). His first opinion of the young composer wasn't favorable, but he changed his mind when he was confronted with a sample of Strauss's "Serenade." Later on, he used his influence to give Strauss his first regular employment as a conductor.
   Some of his orchestral innovations included the addition of the five-string bass and the pedal timpani; the pedal timpani have since become standard instruments in the symphony orchestra. His accurate, sensitive, and profoundly musical interpretations, established him as the prototype of the virtuoso conductors who flourished at a later date. He was also an astute and witty musical journalist.
   In the late 1880s he settled in Hamburg, but continued to tour, both conducting and performing on the piano. After about 1890 his mental and physical health began to fail, and he sought a warmer, drier climate for recovery; he died in a hotel in Cairo, Egypt.

Quotations

"A tenor isn't a man but a disease".
To a trombonist: "Your tone sounds like roast-beef gravy running through a sewer".
"Bach is the Old Testament and Beethoven the New Testament of music".
"In the beginning was rhythm".

Notable premieres

As conductor

Wagner, Tristan und Isolde, Munich, June 10, 1865

Wagner, Die Meistersinger von Nurnberg, Hofoper, Munich, June 21, 1868

As pianist

Liszt, Sonata in B minor, Berlin, January 27, 1857

Tchaikovsky, First Piano Concerto, Boston, October 25, 1875Further Information

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